|
楼主 |
发表于 2010-10-18 22:38:55
|
显示全部楼层
There is a saying in collection area that looking for gold in troubled times and hunting antiques in peace time. Calligraphy and painting works frequently sounded the hammer of art market; it pulls off the art market. Economists predict that fluctuations in global economic cycle is gradually elongated, and the world economy, especially China’s rapid economic growth will continue for seven years with the understanding of the laws of economic management and market conduct regulation. Calligraphy and painting works will be paste into the lives of ordinary people like real estate, securities, insurance and other new investment products. Not only do they show in commercial value, but also a culture of concern and attention. Imagining an old man’s living room was hung a life map of Zhang Peng, a study and seal linked to ancient inscriptions calligraphy of Zhu Fuji, which seem you are making a psychological and creative communication with the creator. The products really can be read, enjoyed, hided. They make the room be graceful and the visitors be awful.
As inherited from the cultivation of traditional Chinese culture in the blood and the origin of family learning, I have a kind of special feeling for painting and calligraphy art. However, because of the pure science literacy learning, I have little art experiences and training. That’s why I admire Liu Chengkai and Liu Yanhu, who abandoned the science to art and achieved outstanding work. Thus, in my spare time, I put a lot effort on the market and the collection of paintings. There is persistent beat in the spring and autumn large bid; there’s joy in the free market to find mistakes; there’s sentiment of organizing the auction in Zhou Fengyu Museum by myself, there is obsession in a variety of painting and calligraphy exhibition; there is the embarrassment of the supermarket to mask the network of calligraphy. But what I get more is the comfort wandering in the mainstream market. In recent years, with the born of the art fund, the painting pawn, the art consultant and the art of derivatives industry, and the overall improvement of the quality, the painting market ushered a long period of prosperity after the Tang and Song dynasties. The painting pawn industry will strengthen the flow of calligraphy and paintings. But as a cultural phenomenon, the painting and calligraphy is different from the more mature luxury and the financial products before. Painting market is as some kind of extension of this cultural phenomenon; the transaction is usually in the form or auction, pen meeting, customized to the artists, the industry exchange, drawing insects changing and Internet e-commerce subsidiary and so on. The transaction of the main conflicts with each other, and each has his way. “Not open for three years, and once opened, it last three years” has become a rule. This is also reflected from the other side that the painting market as an industry has not fully form a development model for replication. We have reasons to draw on the experience from other industries. That is because theoretical research has always lagged behind the practice of economic activities; the promotion of any one industry must start from the mainstream market, from the core competitiveness of specialty products, websites and contact information. I have to note specially that the website is its own website rather than enthusiasts forum for the exchange. Because of the lower threshold of the forum, it is easy to make some people use virtual means to publish false information with no standardized management. Besides, the customers with lower purchasing power also determine they can’t become the main body of the mainstream market, at least not now. I used a few months to study most of fieldwork in Shandong Art Market to compile this booklet, which contains the main agent and the major works of art galleries from various regions, cities, counties. It layouts arrangement for the 16 format, with rich illustrations and related painting business, investment, appreciation of knowledge as amended in the title page. The appendix includes Shandong Art Market Review, the main training institutions paintings, contemporary painting and calligraphy from Shandong Province 200 introduction, the main cultural distribution market, domestic major auction companies, and large art sites. My purpose is to prepare a truly useful tool book. If you frequently associate with the customers in bibliography; you form a convention to contact every week or a month, then it will bring you a windfall. I think this is a basic responsibility and effective way to introduce and promote the work. Perhaps this book can be a key for you to open the door of the art market and maybe you will be one of the five hundred in the world’s cultural industry if you join. Of course, I hope that these basic researches can serve as a try for the establishment of artists’ gallery association, the artists’ entrepreneurs alliance, and the model of sustainable development sectors.
As you know, the current pattern of China’s market is that the national painting put Shandong’s on the first and the Shandong’s takes Weifang’s as the most important one. I sorted out this book, which focuses on Shandong. The next step is one of the other provinces. Printing the sample of the gallery of Weifang, Jining in a hurry, and mistakes are inevitable. I hope friends, gallery managers, artists and arts organizations can give me relevant guidance and support in your free time. As for the cost or how to work into the series price is not important, the most important one is to sort it out. |
|